The tension between art and commerce in Hollywood is never more apparent than in the industry's reliance on remakes, sequels or, worse yet, remakes masquerading as sequels. Sequels that are generally regarded as surpassing their predecessors are like the proverbial hen's teeth.
In his first eight years as a director (1960-67), Jean-Luc Godard released 15 features and numerous shorts, including the most audacious and influential works of the French New Wave, and by extension, of anyone in the world.
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