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Story | Nov 9, 2012 | 1:21 PMIt's not just that Akira Kurosawa's 1950 “Rashomon” brought Japanese film to the west; or that it introduced to us the young, rising Toshiro Mifune; or that its title has become the universal shorthand for the uncertainty of the truth, as seen through different eyes. It's also that it's a great movie that suggests new possibilities each time you watch it. Ergo, it's a film that is more worthy to own on disc than most movies, which are only good for a few viewings. I return to it every few years; even with simply one set of eyes, I've managed to see it in many different ways, sometimes incompatible with each other.